Ora Egaro Jon 4th edition is an inventive blending of diverse creative urging! Bangladesh Art Week Women passionately stimulates the creative junctions of unifying various creative endeavors into an assorted showcase of arts and artist.
This exhibition represents twenty-four unique and limited editions of optical arts , soft sculptures and photography works of Art and twelve NFTs by eleven internationally and nationally renowned modern and contemporary young female artists. Where single modes of expression and mediums share the phenomena of a holistic integration and regenerate creative energy.
Meet The Curators
Niharika Momtaz
A passion for multifaceted tasking an aesthetic inclination to perceive the paradigms of social awareness, culture, the arts, and fascination to blend unique findings of human connection and creative seeking to approach and mediate various creative impulses. To elaborate and discover the creative curiosity and collaborate artistic frontiers and social awareness steered Niharika Momtaz into this curating act of commuting and uniting….Art, artistry, and social causes into this act of curating. A combined mingle of initiating and incorporating.
She is interested in design took herself into the realms of fashion and wearable sculptural arts. Where she starts to explore her niche for perceiving things with detailed self-reflection and inquisitively. Giving more attention to her distinctive ways of approaching, creative urges. Also, this led her into various interests and linking to conspire herself into creating platforms of artist, creative processes, and concepts of interventions………………
Niharika Momtaz is the founder of Bangladesh Art Week and Heritage Bangladesh Foundation.
Venus Hosseini
Venus Hosseini is an Iranian-born, Germany-raised curator and performing arts professional. She studied performing arts in Bochum and Cologne, working extensively with leading theaters such as Theater Düsseldorf and various art collectives across Germany. Her portfolio includes co-curating dynamic art installations that highlight cross-cultural narratives. Currently based in Dubai, she remains a vital presence in the region’s ever-evolving art scene. Renowned for her interdisciplinary approach, Venus continues to bridge performing arts and visual expressions across international platforms.
Meet the Artists
Arpita Singha Lopa
Arpita Singha Lopa (born May 15, 1986, in Kishoreganj) is a visual artist based in Dhaka, Bangladesh. She earned her BFA in 2009 and MFA in 2011 in Graphic Design from the Faculty of Fine Art, University of Dhaka. Arpita has actively participated in numerous workshops and exhibitions in Bangladesh and India. Her recent exhibitions include the 17th Asian Art Biennale Bangladesh, organized by Bangladesh Shilpakala Academy, and KIPAF 16 – Kolkata International Performance Art Festival 2016. She has also taken part in the Sound Making Workshop at Shilpakala Academy, Dhaka, the National Performance Art Festival 2017, and the Performance Art Weekend at Bengal Foundation. Through her diverse artistic engagements, Arpita continues to explore new forms of creative expression.
Azizee Fawmi Khan
Azizee Fawmi Khan is a visual artist and independent curator based in Dhaka, Bangladesh. Her work explores personal heritage, legacy, and the cultural complexities of Bangladesh, often through collaborations with local artists. Azizee's practice primarily focuses on drawings and paintings on paper and canvas.
She completed her MFA in Drawing and Painting at the University of Dhaka. She held her first solo exhibition, "Ka' -Shommondhiyo", at La Galerie, Alliance Française de Dhaka in 2021. She was also a participating artist in Documenta Fifteen in Germany in 2022, representing Britto Art Trust. Her exhibition history includes Artists Make Space in the UK and Bangladesh, the 18th Asian Art Biennale in Dhaka, and several projects with organizations such as Bangladesh Shilpakala Academy, Brihatta Art Foundation and Rebel Creatives, Birmingham.
Azizee has received multiple grants from the British Council and EMK Center and has curated exhibitions such as "Song of Whales" at La Galerie in 2023. She is also leading the ongoing project "Doob", collaborating with emerging artists in Bangladesh.
Bubly Barna
Bubly Barna is a passionate artist currently pursuing her second Master of Fine Arts (MFA) at Miami University in Studio Art. Born in Dhaka, Bangladesh, she previously earned both her Bachelor's and first MFA from the Faculty of Fine Arts, University of Dhaka. Bubly's work explores themes of resilience, motherhood, and societal constraints through painting, collage, and stitching. Using stitching as a metaphor for healing and connection, she reconstructs fragmented narratives of women's experiences. Her muted colour palette, accented with gold, pink, and white, reflects the tension between societal pressure and moments of love and hope. Now based in the U.S., Bubly actively engages with the local art scene while maintaining a strong connection to her Bangladeshi roots. Through exhibitions and artistic practice, she challenges social norms and questions gender biases. She amplifies untold stories of women's lives, making her art both profoundly personal and socially impactful.
Farah Naz Moon
Farah Naz Moon is a visual artist with a diverse portfolio spanning over 13 years. She has actively participated in numerous international art initiatives and exhibitions. Her work has been featured in Policritix Print by Porapara Art Space, as well as in the 16th to 20th editions of the Asian Art Biennale (Bangladesh). She has showcased her art at the Dhaka Art Summit, NIPAF (Japan), and Error, Pixilation by Britto Arts Trust. Farah also contributed to the Pakghar Project at Documenta 15 (Germany) with Britto Arts Trust. She participated in Shohornama, a three-month curated show by Mahbubur Rahman. Additionally, she took part in the Performance Art Week by Bengal Arts Programme and attended the India Art Fair.
Farzana Ahmed Urmi
Farzana Ahmed Urmi explores perception, self-experience, and the boundaries of vision in her art. She merges conscious sight with the fleeting moment of a blink, creating works that challenge conventional aesthetics. Her paintings capture raw emotions—agony, anger, and vulnerability—reflecting both the familiar and the unknown in urban society. With a postgraduate degree in Printmaking, she fluidly navigates diverse techniques, employing ink, watercolour, acrylic, oil, and collage. Her expressive brushwork and tactile engagement reveal a deep physical and emotional connection to her art. Striving for a unique artistic identity, she infuses her compositions with psychological tension, making body and psyche inseparable in her work, evoking a haunting yet powerful presence.
Farzana Rahman Bobby
Farzana Rahman Bobby is a distinguished visual artist specializing in printmaking. She earned her BFA in 2008 and MFA in 2014 from the Department of Printmaking at the University of Development Alternative, Dhaka. Her artistic journey includes numerous national and international exhibitions. She held a solo exhibition, The Soul of the Soil, at Gallery Shilpangan in 2019 and has participated in joint exhibitions such as Thought-2 (2020) and Deliberate/Random (2015). Farzana has showcased her work in 42 group exhibitions worldwide, including the Asian Art Biennale (2014-2023), the 2nd Print Biennale in India (2022), and the 3rd International Biennale of Miniprint in Argentina (2018). She was also part of the India Art Fair (2022) and the Dhaka-Brisbane Print Exchange Program (2017). Actively engaging in artistic development, she has participated in 14 workshops and art camps. Her work reflects a deep connection to socio-cultural narratives and experimental printmaking techniques.
Hasura Akther Rumky
Hasura Akther Rumky, a BFA and MFA graduate from the Department of Oriental Art, University of Dhaka, creates deeply emotive works centred on human connection, silence, and longing. Using pastel, acrylic, charcoal, and natural pigments like soil, she merges illusion with raw textures to evoke depth and intimacy. Her art has been showcased in numerous exhibitions, workshops, and residencies both in Bangladesh and abroad. Recognized with several awards, she received the OPSG Award (2025), UNESCO & International Action Art's Cultural Contribution Award (2023), Japan's KAHAL Art Gallery Grand Award (2021), and an Honorable Mention at the 6th Oriental Painting Exhibition (2016). She also served as Assistant Coordinator for the Asian Art Biennale Bangladesh (2019–2022).
Mahmuda Siddika
Mahmuda Siddika is a Bangladesh-based emerging artist whose work delves into self-discovery through life experiences, memories, and the hidden connections between nature and its inner self. Her artistic expression is shaped by metaphorical concepts, translating them into visual narratives through diverse elements. Engaging deeply with socio-political themes, mythological history, and the ever-changing dynamics of communities, Mahmuda integrates cultural awareness and community engagement into her creative process. She explores various mediums, emphasizing sustainable art practices that foster long-term involvement and interaction with the communities she works with, creating a lasting impact. A commitment to meaningful artistic dialogue and transformation drives her work. Mahmuda holds an MFA in Printmaking from Rabindra Bharati University, Kolkata, India, and a BFA from the Faculty of Fine Arts, University of Dhaka, Bangladesh.
Monidipa Dasgupta
Monidipa Dasgupta is a passionate artist dedicated to reimagining urban life through her work, using intricate details to tell compelling stories. Primarily a graphic designer, she is deeply inspired by nature's stylistic patterns and indigenous art forms. She draws influence from African, Australian Aboriginal, and Indian folk traditions such as Madhubani, Gond, and Warli art. A graduate of the Faculty of Fine Arts, University of Dhaka, with a specialization in Graphic Design, she began her career at BEXIMCO Online (BOL) before launching a home-based boutique, designing textiles for women's clothing. She later worked as a fashion designer at Dressy Dale. Returning to her artistic roots, her work now integrates textiles, geometric patterns, printmaking, and technology-driven designs.
Monon Muntaka
Monon Muntaka is a self-taught multidisciplinary artist and filmmaker based in Dhaka, Bangladesh. Her work explores social issues, culture, diversity, women, and gender, with a strong focus on documenting these themes. As a visual storyteller, she constantly seeks compelling narratives and innovative ways to represent them through her art. She has a deep interest in films and video art, which further enriches her creative practice. Monon's work often involves exploring the cultural diversity of specific locations within Bangladesh, offering both artistic inspiration and valuable learning experiences. Through her projects, she aims to create thought-provoking visuals that engage audiences and spark meaningful dialogue on societal issues. Her passion for storytelling continues to shape her evolving artistic journey.
Tamanna Liza
Tamanna Liza (b. 1996) is a Dhaka-based multidisciplinary artist whose work centres on sociopolitical and gender issues. She draws inspiration from her surroundings and uses metaphorical visual storytelling, often incorporating organic and found objects. Her narratives reflect the complexities of living in a local context while questioning and reinterpreting societal norms.
Tamanna completed her BFA in Fine Art at Jahangirnagar University, majoring in painting, and pursuing an MA in Art and Design at Beaconhouse National University, Lahore.
In 2024, Tamanna received a project grant called Stories for Change Phase II from Oxfam Novib and Pathshala South Asian Media Institute. She was a participating artist at the India Art Fair 2025, representing Britto Arts Trust. Her exhibition history includes Shohornama II at Bengal Shilpalay, Dhaka; the 25th National Art Exhibition at Bangladesh Shilpakala Academy; and group shows at EMK Center, Edge Gallery, and many others.